Once You Have Tracked The Shot

As yet not known Factual Statements About Best 3d Mouse For Fusion 360 Autodesk Student License Activation Made KnownBefore you change any settings in the Mega Plate parameters, it is worthwhile checking to see if GPU Processing is turned on in Preferences under the GPU page. If there is more than one background selection, special treatment of the boundary between them is often required. For small foreground objects such as wires, in front of a non-planar background, switch on 3D Compensation. This will attempt to model the effect of the varying 3D depth of the background. Select the Linear illumination model to compensate for the brightness changes and repeat the render. Check that the object is inside the selection contour in every frame. If it isn’t, move the control points outwards as necessary to completely enclose the object. Use linking forwards/backwards to apply changes to the contour in multiple frames. On by default, this option will automatically calculate the required size of the plate. If unselected, the dimensions in the fields below the autoscale option will be used. See the Remove Module documentation for more information on how foreground objects are removed with background data.

You must specifically track the background layer in order for the Mega Plate build to work. The final rendered plate will be centred on the original source frame you rendered from, in order to line up the plate correctly for further work. If the checkbox is switch off, you can select an individual matte to use instead. The number fields are positioned in the menu to relate to the edge of the ROI that they adjust. The same applies for the left and right edges of the frame with the left and right number fields. To choose a different name for the output clip select the New… button and choose a new name. Once you have tracked the shot, switch to the Camera Solve tab. By default, this will just export the flattened render , but if your render has alpha you can choose this also. You can export a clip to an image sequence or QuickTime format by choosing "Export Rendered Clip…" from the file menu. Choose a shape. Select Export Shape Data… A dialog will show with a drop-down containing 3 different saving options. Double clicking the ContourSequence will reveal the individual layers that the ContourSequence consists of. Dragging a layer into the viewer and selecting 'Controls' will give you access to controls of that layer, as shown below. To use the shape to composite the rotoscoped object over a new background, simply place the Mocha shape sequence in a video track above the background sequence. Your Mocha shape sequence will now appear in your list of project assets. When you have made the right selection, click Save and select a destination to save the XML file to, then switch to Final Cut. You can also apply the masks to most effects, by adding the effect to your clip, selecting the effect in the Effects panel and pasting. Entering a negative value in the β€œNudge Time” field. Hitting the button will move selected keyframes backwards in time by that amount every time you hit the button. Entering a positive value in the β€œNudge Value” field. Hitting its button will move selected keyframes up in value by that amount every time you hit the button. Like all modules, you can choose to either render in the Mocha GUI, or choose β€œReorient” from the render options in the main plugin interface back in the host. It is best to use the Insert module render process to get what tracking data you need out of Mocha. In order to apply the lens distortion to the insert layer correctly, you now need to Precompose the layer to make it fit the same dimensions as the original source. This format will render a map for programs that support color-based displacement or distortion . This is also useful if you want to save a calibration so it can be used on another shot, by importing the Dis